Veena's Musings

Favorite Books

Books Veena loves, and the passages that stayed. 4 pieces

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Of Human Bondage — W. Somerset Maugham

“Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet's history, and as there had been a beginning of life upon it, so, under the influence of other conditions, there would be an end: man, no more significant than other forms of life, had come not as the climax of creation but as a physical reaction to the environment. Philip remembered the story of the Persian king who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with the affairs of the state, he bade him go and condense it; in twenty years the sage returned and his history was now in no more than fifty volumes, but the king, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and grey, brought a single book in which was the knowledge the King had sought; but the King lay on his death bed, and he had no time to read even that; and then the sage gave the history of man in a single line; it was this: he was born, he suffered, and he died. There was no meaning in life, and man by living served no end. It was immaterial whether he was born or not born, whether he lived or ceased to live. Life was insignificant and death without consequence. …………………. What he did or left undone, did not matter. Failure was unimportant and success amounted to nothing. He was the most inconsiderable creature in that swarming mass of mankind which for a brief space occupied the surface of the earth; and he (Philips) was almighty because he had wrenched from chaos the secret of nothingness.
….. and that was why Cronshaw, he imagined, had given him the Persian rug. As the weaver elaborated his pattern for no end but the pleasure of his aesthetic sense, so might a man live his life, or if one was forced to believe that his actions were outside his choosing, so might a man look at his life, that it made a pattern. There was as little need to do this as there was use. It was merely something he did for his own pleasure. Out of the manifold events of his life, his deeds, his feelings, his thoughts, he may make a design, regular, elaborate, complicated, or beautiful, and though it might be no more than an illusion that he had the power of selection, though it might be a fantastic legerdemain in which appearances were interwoven with moonbeams, that did not matter: it seemed, and so to him it was. In the vast warp of life( a river arising from no spring and flowing endlessly to no sea), with the background to his fancies that there was no meaning and that nothing was important, a man might get a personal satisfaction in selecting the various strands that worked out a pattern. There was one pattern, the most obvious, perfect, and meaningful, in its own troubling grace”

The Prophet — Khalil Gibran

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The Ground Beneath Her Feet — Salman Rushdie

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Midnight's Children — Salman Rushdie

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